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/alphabet-stencils · illustration

Alphabet stencils: full A to Z, large letters, a sign word

Alphabet stencils — a sheet of the 26 stencil capitals "A" to "Z" in solid black in five rows, each with the small bridges that hold the centers of A, B, D, O, P, Q and R, classic army-style stencil capitals, heavy and squared, with bridges breaking the closed shapes
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every sample — three subjects, three styles ↓

Reading 1Full alphabet
Reading 2Large letters
Reading 3Sign word

Letter stencils are printed, cut out and painted or sprayed through, for signs, crates, walls and shirts. The nine sheets give a full A to Z stencil in five rows, six large capitals A to F in a grid, and the word GARDEN as one stencil strip. Each comes as a military cut, a rounded cut with wide bridges, or a slim sign-painter cut. Ask for lowercase, a name or numbers and the stencil is drawn in that form.

  • a sign for a shop or a garden
  • a crate or box label
  • a shirt or tote painted through a stencil
  • a wall lettering project

Frequently asked questions

Why do the letters have bridges?
Closed shapes such as the inside of an A or an O would fall out once cut. The small bridges hold them in place.
Are the sheets big enough to cut with a craft knife?
Yes, the letters are set large enough to cut with a craft knife.
What is the difference between the three cuts?
Military is heavy and squared with bridges breaking the closed shapes. Rounded has soft shapes and wide bridges. Slim is tall and thin, with neat bridges.
Can I get a name or numbers?
Yes. Ask for a name, lowercase or numbers, and the stencil is drawn in that form.

About toile

This page is a showcase and a starting point: nine samples already rendered, three readings of the pack crossed with three styles, each shown at the size and ratio it was made for. Take any of them further on the wall with a few words, or ask for all nine again under your own direction; a sign-in keeps what you make, and it is free while Toile is new. The recipe behind each sample — the subject, the style, the palette, the framing — travels with the image rather than staying private to the render: it is in the alt text of every sample and in the page's own structured data, so a search engine reads the same handles a person would.