A child choosing school over work: bricks dropped for a book, a boy watching the school bus, and a pencil held in place of a chain.

Does the pack show harm to a child?

No. The pictures show a choice toward school, not harm to a child.

Can I change the scene?

Yes. Type the scene and it is drawn in the same three styles. It is a request, so the details can differ from the samples.

Yes. Each picture is a portrait sheet on plain white paper.

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/child-labour-drawings · coloring

Child labour drawings: a child choosing a book, a school bus, chains and a pencil

Child labour drawings — a child at a brick kiln letting a stack of bricks fall as he reaches for an open book glowing with light, bold even black line art with thick clean strokes and large simple shapes, open and ready to colour in

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every sample — three subjects, three styles ↓

Reading 1Bricks to books

Reading 2Tea stall

Reading 3Chains and pencil

Drawings against child labour for a competition or the World Day Against Child Labour. Three scenes: bricks falling from a child's arms as he reaches for a glowing book; a boy at a tea stall watching a school bus pass; and a child's hands, one in a broken chain, the other holding a pencil. Each comes as black outline, pencil sketch and crayon colour. Type another scene and it is drawn in the same styles.

a World Day Against Child Labour competition
a school poster on child rights
a social studies project
a display at a children's rights event

Frequently asked questions

What is the subject?: A child choosing school over work: bricks dropped for a book, a boy watching the school bus, and a pencil held in place of a chain.
Does the pack show harm to a child?: No. The pictures show a choice toward school, not harm to a child.
Can I change the scene?: Yes. Type the scene and it is drawn in the same three styles. It is a request, so the details can differ from the samples.
Can I print them?: Yes. Each picture is a portrait sheet on plain white paper.

About toile

This page is a showcase and a starting point: nine samples already rendered, three readings of the pack crossed with three styles, each shown at the size and ratio it was made for. Take any of them further on the wall with a few words, or ask for all nine again under your own direction; a sign-in keeps what you make, and it is free while Toile is new. The recipe behind each sample — the subject, the style, the palette, the framing — travels with the image rather than staying private to the render: it is in the alt text of every sample and in the page's own structured data, so a search engine reads the same handles a person would.