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/fruit-repeats · pattern · 3 readings

Fruit pattern: lemon, cherry, fig in three colourways

Fruit repeats — Lemons and cherries the size of a lentil scattered evenly with a leaf on each stem, drawn as simple flat shapes, the ground open between them and the scale small enough to read as texture., fruit repeat, whole and halved fruit drawn so the cut shows pith seed and flesh, a leaf on every stem, set on a half-drop with clear ground between, flat colour with a fine dark outline

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all 9 samples — three readings, three styles ↓

Reading 1Ditsy
Reading 2Medium
Reading 3Large

The fruit repeat is the kitchen's pattern: lemons, cherries, figs and strawberries drawn whole and halved, with a leaf on every stem. These nine hold a lemon-led field, a cherry-led field and a fig-led field, each showing the fruit's structure at the cut. Ask for a different fruit and the same whole-and-halved grammar carries it.

  • a tea towel or apron print
  • a kitchen textile swatch
  • a phone wallpaper
  • a print-on-demand product design
  • a gift-wrap sheet

Frequently asked questions

What size do these print at?
Each fruit field is a seamless repeat at A3 proportions, printing clean at A4 or scaling to fabric yardage.
Can I get a different fruit instead of lemons or cherries?
Yes — name any fruit, such as strawberries or figs, and the same whole-and-halved layout with a leaf on the stem renders it.
What's the difference between the three fruits?
Lemon leans bright and citrus; cherry runs a deeper red-and-green pairing; fig carries a warmer, more muted palette with its distinctive cut structure.
Why does the pattern always show the fruit halved as well as whole?
The cut is the grammar — a halved fruit shows its internal structure, which is what makes the repeat read as a specific fruit rather than a generic round shape.

About toile

This page is a showcase and a starting point: nine samples already rendered, three readings of the pack crossed with three styles, each shown at the size and ratio it was made for. Take any of them further on the wall with a few words, or ask for all nine again under your own direction; a sign-in keeps what you make, and it is free while Toile is new. The recipe behind each sample — the subject, the style, the palette, the framing — travels with the image rather than staying private to the render: it is in the alt text of every sample and in the page's own structured data, so a search engine reads the same handles a person would.