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Gandhi Jayanti chart paper: charkha, spectacles and salt march

Gandhi jayanti chart paper — a chart paper with a spinning wheel and khadi thread curling around the heading "2 OCTOBER", a hand-drawn crayon and marker chart, wobbly friendly outlines, chunky hand lettering and visible paper grain
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every sample — three subjects, three styles ↓

Reading 1Charkha
Reading 2Spectacles
Reading 3Salt march

Chart papers for Gandhi Jayanti, decorated in India by students and teachers to pin on the classroom wall or carry to assembly: a spinning charkha with khadi thread, round spectacles with a walking stick and sandals, and footprints along a salt march. The heading reads 2 October and the centre is left open for the class's message. Type a different subject or a twist, such as three monkeys or dandi, and the same three styles carry it.

  • classroom wall display for 2 October
  • chart to carry to the school assembly
  • poster for a lesson on the freedom movement
  • group project for a class

Frequently asked questions

What is on each chart?
A charkha with khadi thread, round spectacles with a walking stick and sandals, and footprints along a salt march, each with a 2 October heading.
What is the difference between the three styles?
Crayon hand-drawn uses wobbly marker and crayon outlines on visible paper grain, cut-paper collage uses layered coloured paper, and clean printable is a flat version on white.
Can I ask for a different design?
Yes. Type a subject or a twist and the same three styles carry it, though a request is not a promised result.
Is there room for the class to write?
The centre of each chart is left open for the class's message, and the heading is the only printed text.
Are these photographs?
No. All nine are flat illustrations seen straight on, with no mockup, hands or desk around them.

About toile

This page is a showcase and a starting point: nine samples already rendered, three readings of the pack crossed with three styles, each shown at the size and ratio it was made for. Take any of them further on the wall with a few words, or ask for all nine again under your own direction; a sign-in keeps what you make, and it is free while Toile is new. The recipe behind each sample — the subject, the style, the palette, the framing — travels with the image rather than staying private to the render: it is in the alt text of every sample and in the page's own structured data, so a search engine reads the same handles a person would.