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/kalocsa · pattern · 3 readings

Kalocsa patterns: paprika rose, tulip, forget-me-not in three colourways

Kalocsa — A bouquet leaning to one side with a big red rose at its heart, tulips and small blue forget-me-nots around it, every flower filled with flat satin stitch in three tones and edged with a fine outline., satin-stitch embroidery in bright cotton floss on white linen, drawn freehand before stitching

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all 9 samples — three readings, three styles ↓

Reading 1Leaning bouquet
Reading 2Tulip row
Reading 3Openwork ground

Kalocsa, on the Danube, keeps one pattern language for two surfaces, the embroidered cloth and the painted wall: leaning bouquets of paprika-red roses, tulips and forget-me-nots, drawn freehand before anyone stitches. These nine set the rose, the tulip and the forget-me-not, each in three colourways. Ask for a different leaning bouquet and the same three colourways carry it.

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Frequently asked questions

What size do these print at?
Each pattern is drawn at A3 proportions with an even margin, so it prints clean at A3 or scales to A4.
Can I ask for a different leaning bouquet?
Yes — the direction field takes a different bouquet, such as a poppy or a daisy, and the same three colourways render it.
What's the difference between the three colourways?
Each colourway keeps the same freehand-drawn bouquet and shifts the palette, from the classic paprika-red set to a softer modern one.
Is this respectful of real Hungarian Kalocsa traditions?
The set draws on the freehand-drawn, leaning-bouquet technique of Hungarian Kalocsa embroidery and folk painting as a style reference for a generated pattern, not a reproduction of any specific woman's drawn design.

About toile

This page is a showcase and a starting point: nine samples already rendered, three readings of the pack crossed with three styles, each shown at the size and ratio it was made for. Take any of them further on the wall with a few words, or ask for all nine again under your own direction; a sign-in keeps what you make, and it is free while Toile is new. The recipe behind each sample — the subject, the style, the palette, the framing — travels with the image rather than staying private to the render: it is in the alt text of every sample and in the page's own structured data, so a search engine reads the same handles a person would.