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/rosh-hashanah-cards · faith · 3 readings

Rosh Hashanah cards: apples and honey, pomegranate, shofar

Rosh Hashanah cards — A new year greeting card with "Shanah Tovah" lettered in a broad centred line across the upper third, an apple and a honey dipper drawn beneath it in fine outline, and a wide clear panel filling the lower half., fine gold-line card design, single-weight drawn motif, no fills, wide letter tracking

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all 9 samples — three readings, three styles ↓

Reading 1Greeting card
Reading 2Pomegranate card
Reading 3Shofar card

The new year card is posted, so it is a card first: greeting, motif, blank inside. These nine cover three motifs — apples and honey, a pomegranate cut open, a shofar — in three styles. The greeting is transcribed exactly because it is the only text, and getting it right is the whole job.

  • a Rosh Hashanah greeting card
  • a new year gift card insert
  • a synagogue print run
  • a family holiday keepsake
  • a mailed holiday card

Frequently asked questions

What size do these print at?
Each card is drawn at standard greeting-card proportions with an even margin, so it fits standard envelopes and folds clean.
Is the inside of the card left blank?
Yes — the inside is left blank on purpose, ready for a personal message to be added by hand.
What's the difference between the three motifs?
Apples and honey is the classic sweet-new-year motif, the pomegranate cut open is a traditional symbol of abundance, and the shofar is the ceremonial horn — each treated in three styles.
Is the greeting text exact?
Yes — since the greeting is the card's only text, it's transcribed exactly as written.

About toile

This page is a showcase and a starting point: nine samples already rendered, three readings of the pack crossed with three styles, each shown at the size and ratio it was made for. Take any of them further on the wall with a few words, or ask for all nine again under your own direction; a sign-in keeps what you make, and it is free while Toile is new. The recipe behind each sample — the subject, the style, the palette, the framing — travels with the image rather than staying private to the render: it is in the alt text of every sample and in the page's own structured data, so a search engine reads the same handles a person would.