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/shaadi-cards · occasions

Shaadi card design: Shubh Vivah, nikah, Anand Karaj

Shaadi cards — a vertical wedding card headed by a small Ganesh motif with "Shubh Vivah" lettered beneath in gold, a kalash on either side of the header, and a large clear empty panel below for the couple's names, date and venue, rich gold foil lettering and ornament, fine embossed linework, a formal printed-card look
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every sample — three subjects, three styles ↓

Reading 1Shubh Vivah
Reading 2Nikah card
Reading 3Anand Karaj

Printable wedding invitation cards for the three main faiths of Indian weddings: a Shubh Vivah card under Ganesh for Hindu families, a nikah card under an arch for Muslim families, and an Anand Karaj card under Ik Onkar for Sikh families. Each card carries its heading and leaves a clear panel for the couple's names, date and venue. Type a different motif or colour in the direction field and the same layout carries it.

  • a printed wedding invitation for family and friends
  • a card for guests who travel to the wedding
  • a template to fill in at a print shop
  • a keepsake card for the family album

Frequently asked questions

Can I print these at home?
Yes. Each card is a single print-ready page with a clean margin, so it prints on standard paper or card stock.
Which card is for which faith?
The Shubh Vivah card is for Hindu weddings under Ganesh, the nikah card for Muslim weddings under an arch, and the Anand Karaj card for Sikh weddings under Ik Onkar.
Are the names, date and venue already on the card?
No. The details panel is left empty so you can write in the names, date and venue.
What is the difference between the three finishes?
Gold foil is a formal printed look on maroon, watercolor is soft washes on ivory, and laser cut is layered paper on a red ground.
Can I change the colours or the motif?
Yes. The direction field takes a different motif or palette, and the same layout is used.

About toile

This page is a showcase and a starting point: nine samples already rendered, three readings of the pack crossed with three styles, each shown at the size and ratio it was made for. Take any of them further on the wall with a few words, or ask for all nine again under your own direction; a sign-in keeps what you make, and it is free while Toile is new. The recipe behind each sample — the subject, the style, the palette, the framing — travels with the image rather than staying private to the render: it is in the alt text of every sample and in the page's own structured data, so a search engine reads the same handles a person would.