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Durga Puja card: Shubho Sharodiya, Shubho Bijoya, shiuli flowers

Durga Puja cards — a card lettered "Shubho Sharodiya" with a dhak drum and its feather plume, kash grass swaying at the edges and a blank line at the bottom for the sender's name, Bengali alpona art, flowing white rice-paste line motifs of lotus and conch, hand-lettered greeting
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every sample — three subjects, three styles ↓

Reading 1Shubho Sharodiya
Reading 2Shubho Bijoya
Reading 3Shiuli flowers

Greeting cards for Durga Puja and Bijoya Dashami, sent to family and friends, printed or shared on the phone. Each is a vertical card with its greeting lettered: Shubho Sharodiya with a dhak drum and kash grass, Shubho Bijoya with a red-bordered white sari and sindoor dots, or Happy Durga Puja framed by white shiuli flowers. Each leaves space for a name. Type a different greeting or colour as the direction.

  • a Bijoya greeting for family
  • a card for colleagues at Durga Puja
  • a picture to share in a family group
  • a card for a puja committee

Frequently asked questions

Which greeting should I use?
Shubho Sharodiya is the autumn festival greeting; Shubho Bijoya is said on the day of farewell to the Goddess, at the end of the puja.
Is there room for a name?
Yes. Each card leaves a blank space for a name or a message.
What is the difference between the styles?
Alpona is white rice-paste line art on brick red with touches of turmeric yellow; Kalighat is bold brush outlines in vermilion, indigo and ochre; minimal is a white ground with red and one gold accent.
Can I share the cards on a phone?
Yes. Each card is a vertical picture, so it prints or sends as an image.

About toile

This page is a showcase and a starting point: nine samples already rendered, three readings of the pack crossed with three styles, each shown at the size and ratio it was made for. Take any of them further on the wall with a few words, or ask for all nine again under your own direction; a sign-in keeps what you make, and it is free while Toile is new. The recipe behind each sample — the subject, the style, the palette, the framing — travels with the image rather than staying private to the render: it is in the alt text of every sample and in the page's own structured data, so a search engine reads the same handles a person would.