Are these real films?

No. All three titles are invented, and the posters copy the look of their eras, not any real film.

What is the two-colour style?

A screen-printed gig poster look in black and orange ink on off-white paper, with flat shapes and a faint halftone texture.

Can I ask for a different subject?

Yes, as a request, such as a zombie or a witch, or a red-only palette.

toile

/horror-movie-posters · wall-art

Horror movie posters: eighties slasher, sixties gothic, haunted house

Horror movie posters — an eighties slasher poster of a summer cabin by a dark lake, a single lit window and a long shadow on the dock, the invented title "Last Night at Camp Willow", hand-painted gouache poster illustration, dramatic contrast and heavy shadow, visible brush strokes

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every sample — three subjects, three styles ↓

Reading 1Eighties slasher

Reading 2Gothic

Reading 3Haunted house

Horror fans decorate with posters in the look of the genre's great eras. These nine posters show three invented films: an eighties slasher of a summer cabin by a dark lake, a sixties gothic of a castle on a cliff under a red moon, and a modern haunted house at dusk with one window lit. None of them is a real film. Each comes in painted gouache, two-colour screen print or faded vintage print style.

a wall in a den or game room
a backdrop for a Halloween party
a corner of a home cinema
a gift for a horror fan

Frequently asked questions

Are these real films?: No. All three titles are invented, and the posters copy the look of their eras, not any real film.
What is the two-colour style?: A screen-printed gig poster look in black and orange ink on off-white paper, with flat shapes and a faint halftone texture.
Can I ask for a different subject?: Yes, as a request, such as a zombie or a witch, or a red-only palette.

About toile

This page is a showcase and a starting point: nine samples already rendered, three readings of the pack crossed with three styles, each shown at the size and ratio it was made for. Take any of them further on the wall with a few words, or ask for all nine again under your own direction; a sign-in keeps what you make, and it is free while Toile is new. The recipe behind each sample — the subject, the style, the palette, the framing — travels with the image rather than staying private to the render: it is in the alt text of every sample and in the page's own structured data, so a search engine reads the same handles a person would.