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/madhubani-durga · ornament

Madhubani Durga: on her lion, her face, slaying the demon

Madhubani Durga — ten-armed Durga seated on a striped lion, each hand holding a weapon, her red sari filled with fine line patterns, Bharni style, double black outlines filled with flat bright colour and fine line hatching, every space packed with small flowers, dots and leaves
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every sample — three subjects, three styles ↓

Reading 1Durga on lion
Reading 2Goddess face
Reading 3Slaying the demon

Durga painted in the Mithila style for Navratri, Durga Puja or an altar at home. The nine pictures show the ten-armed goddess seated on a striped lion, her large frontal face with a third eye and gold crown, and the moment she drives her trident into the buffalo demon. Each comes in bright colour, line only, or earth colours. Type a direction such as Kali or ten arms, and the folk style carries it.

  • an altar picture for Navratri
  • a Durga Puja decoration
  • a wall painting for a puja room
  • a gift for a festival

Frequently asked questions

What do the nine pictures show?
Three Durga scenes: the goddess on her lion with ten weapons, her large frontal face with a ring of flowers, and Durga slaying the buffalo demon with the lion beside her.
How do the three styles differ?
Bright colour uses flat colour fills with dense dots and leaves, line only uses fine hatched ink in two inks on cream, and earth colours use natural tones on buff paper.
Can I ask for a different form of the goddess?
Yes. Type the change as a direction, such as Kali or a red sari. It is a request for that look, not a promised result.

About toile

This page is a showcase and a starting point: nine samples already rendered, three readings of the pack crossed with three styles, each shown at the size and ratio it was made for. Take any of them further on the wall with a few words, or ask for all nine again under your own direction; a sign-in keeps what you make, and it is free while Toile is new. The recipe behind each sample — the subject, the style, the palette, the framing — travels with the image rather than staying private to the render: it is in the alt text of every sample and in the page's own structured data, so a search engine reads the same handles a person would.