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/retro-70s-florals · pattern · 3 readings

Retro 70s floral print: daisy, sunburst motifs

Retro 70s florals — Daisies the size of a shirt button, each a ring of rounded petals with a heavy dark outline, packed in a tight grid with a second colour filling every gap so no ground shows at all., seventies floral repeat, four flat inks and no gradients, a heavy dark outline round every shape, motifs interlocking so no ground is left bare, screen-printed flat with a slight ink texture

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all 9 samples — three readings, three styles ↓

Reading 1Ditsy
Reading 2Medium
Reading 3Large

The seventies floral is flat, thick-outlined and printed in a handful of inks: daisies and stylised sunbursts in mustard, avocado and burnt orange, packed edge to edge with no gradients and no ground showing through. These nine render daisy, sunburst and daisy-and-sunburst motifs across three ink counts. Ask for a different motif, like a poppy, and the same three ink counts carry it.

  • a curtain or kitchen fabric print
  • a retro-themed poster print
  • a wallpaper repeat sample
  • a tin or storage box print
  • a phone wallpaper

Frequently asked questions

What size and format do these print at?
Each pattern is a seamless square tile at even resolution, so it repeats cleanly on fabric yardage or a wallpaper roll.
Can I get a different motif, like a poppy?
Yes — the direction field takes any flat, thick-outlined motif, and the same three ink counts render it.
What's the difference between the three ink counts?
Two-ink keeps the palette to one flower colour against the ground, three-ink adds a second flower tone, and the daisy-and-sunburst mix layers both motifs at the fullest ink count.
Is this a reproduction of a specific 70s brand's print?
No — it draws on the shared grammar of the era's surface design (flat colour, thick outline, packed repeat) rather than reproducing any named brand's or designer's specific print.

About toile

This page is a showcase and a starting point: nine samples already rendered, three readings of the pack crossed with three styles, each shown at the size and ratio it was made for. Take any of them further on the wall with a few words, or ask for all nine again under your own direction; a sign-in keeps what you make, and it is free while Toile is new. The recipe behind each sample — the subject, the style, the palette, the framing — travels with the image rather than staying private to the render: it is in the alt text of every sample and in the page's own structured data, so a search engine reads the same handles a person would.