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/warli-tree-of-life · ornament

Warli tree of life: birds and climbers, sheltering the village, animals at the roots

Warli tree of life — a large tree drawn in fine white strokes, birds on every branch and stick figures climbing the trunk, Warli painting in white rice paste on a mud wall, figures made of triangles, circles and straight lines, thin even strokes
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every sample — three subjects, three styles ↓

Reading 1Birds and climbers
Reading 2Sheltering the village
Reading 3Animals at the roots

A Warli tree drawn large, in white on earth red, for a wall painting or a canvas. The nine pictures show a tree full of birds with figures climbing its trunk, a wide tree spreading over huts and dancers, and a tree whose long roots hold deer, snakes and peacocks. Each comes as white on mud-wall red, white on clean canvas, or white on black. Type a direction such as with a peacock, and the figures carry it.

  • a large wall painting for a living room
  • a canvas for a bedroom
  • a school art project on Warli art
  • a gift for a new home

Frequently asked questions

What do the nine pictures show?
Three tree scenes: a tree full of birds and climbers, a tree spreading over the village, and a tree with roots that hold deer, snakes and peacocks.
How do the three grounds differ?
The mud-wall version is white rice paste on earth red, the canvas version is crisp white on flat terracotta, and the black version is white chalk lines on black paper.
Can I ask for a different tree?
Yes. Type the change as a direction, such as Diwali or with a peacock. It is a request for that look, not a promised result.

About toile

This page is a showcase and a starting point: nine samples already rendered, three readings of the pack crossed with three styles, each shown at the size and ratio it was made for. Take any of them further on the wall with a few words, or ask for all nine again under your own direction; a sign-in keeps what you make, and it is free while Toile is new. The recipe behind each sample — the subject, the style, the palette, the framing — travels with the image rather than staying private to the render: it is in the alt text of every sample and in the page's own structured data, so a search engine reads the same handles a person would.