Which bin takes the wet waste?

The green bin takes wet waste and the blue bin takes dry waste, as the first design shows.

What does the compost design say?

Waste to Wealth is lettered above the compost pit.

How do the three styles differ?

Flat vector uses bold shapes with no outlines. Crayon looks hand-drawn in wax with uneven fills. Paper cut is layered paper with crisp edges and soft shadows between the layers.

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/waste-management-posters · classroom

Waste management posters: green and blue bins, compost, a clean street

Waste management posters — a green bin for wet waste and a blue bin for dry waste, fruit peels dropping into one and bottles into the other, with "Segregate Your Waste" as the title, flat vector illustration with bold clean shapes, no outlines, smooth gradient-free fills and hard edges, lettering in thick rounded sans letters

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every sample — three subjects, three styles ↓

Reading 1Green and blue

Reading 2Compost

Reading 3Clean street

Waste management posters for a Swachh Bharat activity, a science project or a school competition. Three designs: wet waste going into a green bin and dry waste into a blue one, kitchen peels turning into compost, and children and a sanitation worker sweeping a street into a dustbin. Each comes in flat vector, crayon and paper cut. Type a direction to ask for a change; it is a request, not a guaranteed result.

a Swachh Bharat activity display
a science project on waste
a school competition entry
a classroom bin sign

Frequently asked questions

Which bin takes the wet waste?: The green bin takes wet waste and the blue bin takes dry waste, as the first design shows.
What does the compost design say?: Waste to Wealth is lettered above the compost pit.
How do the three styles differ?: Flat vector uses bold shapes with no outlines. Crayon looks hand-drawn in wax with uneven fills. Paper cut is layered paper with crisp edges and soft shadows between the layers.

About toile

This page is a showcase and a starting point: nine samples already rendered, three readings of the pack crossed with three styles, each shown at the size and ratio it was made for. Take any of them further on the wall with a few words, or ask for all nine again under your own direction; a sign-in keeps what you make, and it is free while Toile is new. The recipe behind each sample — the subject, the style, the palette, the framing — travels with the image rather than staying private to the render: it is in the alt text of every sample and in the page's own structured data, so a search engine reads the same handles a person would.