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Jashn-e-Azadi drawings: Minar-e-Pakistan, Mazar-e-Quaid and a flag street

Jashn-e-Azadi drawings — Minar-e-Pakistan with its tall fluted tower and flower-shaped base, the national flag flying beside it and small buntings across the sky, an easy drawing for children in thick uniform black marker outlines and simple rounded shapes, every shape left open to colour, no shading
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every sample — three subjects, three styles ↓

Reading 1Minar-e-Pakistan
Reading 2Mazar-e-Quaid
Reading 3Flag street

Drawings children make for 14 August in Pakistan, for a school competition or a chart at home, to copy and colour in green and white. The three scenes are Minar-e-Pakistan with the national flag beside it, the white dome of the Mazar-e-Quaid under a crescent moon, and a street dressed in green-and-white bunting. Each comes as an easy black outline, a sketch-pen drawing or a graphite pencil study. Type a different scene and the same styles draw it.

  • a school competition entry for 14 August
  • a chart paper for a class project
  • a colouring sheet for a younger child
  • a drawing copy for a home activity

Frequently asked questions

Which style is for colouring in?
The easy outline, with thick black lines and every shape open to colour. The sketch-pen version shows the flag green and white and a soft blue sky already filled in.
What is the pencil sketch?
A graphite pencil drawing with light construction lines left visible and soft hatched shading, in grey only.
Can I ask for another monument?
Yes. Type the scene you want and it is drawn in the same three styles. The nine shown are the samples.

About toile

This page is a showcase and a starting point: nine samples already rendered, three readings of the pack crossed with three styles, each shown at the size and ratio it was made for. Take any of them further on the wall with a few words, or ask for all nine again under your own direction; a sign-in keeps what you make, and it is free while Toile is new. The recipe behind each sample — the subject, the style, the palette, the framing — travels with the image rather than staying private to the render: it is in the alt text of every sample and in the page's own structured data, so a search engine reads the same handles a person would.